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Contesting the Logic of Painting - 9789004162716

Un libro in lingua di Barber Charles E. edito da Brill Academic Pub, 2007

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Paintings of the Christian God cannot be dismissed as a special case, argues Barbar (history of art, U. of Notre Dame), but in fact raise questions about the fundamental modern assumptions regarding how representational painting works--particularly ideas that the object or image represented must be within the perceptual boundaries of the viewer. He examines a body of writing on art and vision produced during 11th-century Byzantium, and points out the influence of that writing in iconophile doctrines and compendia of heresies produced in the Middle Byzantine era. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)

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