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Clowning and Authorship in Early Modern Theatre - 9781107036574
Un libro in lingua di Richard Preiss edito da Cambridge Univ Pr, 2014
- € 88.60
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"To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor"--
Informazioni bibliografiche
- Titolo del Libro in lingua: Clowning and Authorship in Early Modern Theatre
- Lingua: English
- Autore: Richard Preiss
- Editore: Cambridge Univ Pr
- Collana: Cambridge Univ Pr (Hardcover)
- Data di Pubblicazione: 30 Aprile '14
- Genere: Lingua Inglese
- Argomenti : English drama Early modern and Elizabethan, 1500-1600 History and criticism Fools and jesters in literature Clowns in literature
- Pagine: 287
- ISBN-10: 1107036577
- EAN-13: 9781107036574